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Inlet Technologies enables new media for new networks.\r\nInlet’s advanced encoding solutions produce the highest quality video,\r\nfaster and more efficiently than any other solution. Inlet enables\r\ncontent creators, programmers and distributors to increase their\r\nproduction efficiency, reduce their costs and deliver the highest\r\nquality video over any IP network.
\r\n \r\n'),(112,2,'1',2,'Whether you’re a content provider, programmer, distributor, or broadcaster, the time to take advantage of the new world of digital media is now.
\r\n\r\nReach new customers. Commercialize your content in new ways. Optimize your content for any platform, from mobile phone to computer to high definition television.
\r\n\r\nWe invite you to learn more about our solutions. Our products. Our company. And to engage us in a dialogue about the rapidly changing world of digital media. We think you\'ll see that when you want new media over new networks, you\'ll want Inlet Technologies working for you.
'),(4,8,'2',2,'Lorem ipsum dolor sit amet, consectetuer adipiscing elit, sed diam nonummy nibh euismod tincidunt ut laoreet dolore magna aliquam erat volutpat. Ut wisi enim ad minim veniam, quis nostrud exerci tation ullamcorper suscipit lobortis nisl ut aliquip ex ea commodo consequat. Duis autem vel eum iriure dolor in hendrerit in vulputate velit esse molestie consequat, vel illum dolore eu feugiat nulla facilisis at vero eros et accumsan et iusto odio dignissim qui blandit praesent luptatum zzril delenit a\r\n\r\n'),(5,7,'2',3,'\r\nLorem ipsum dolor sit amet, consectetuer adipiscing elit, sed diam nonummy nibh euismod tincidunt ut laoreet dolore magna aliquam erat volutpat. Ut wisi enim ad minim veniam, quis nostrud exerci tation ullamcorper suscipit lobortis nisl ut aliquip ex ea commodo consequat. Duis autem vel eum iriure dolor in hendrerit in vulputate velit esse molestie consequat, vel illum dolore eu feugiat nulla facilisis at vero eros et accumsan et iusto odio dignissim qui blandit praesent luptatum zzril delenit a \r\n'),(7,13,'2',1,'This element displays a randomly selected client testimonial.'),(8,1,'3',1,'HEADING'),(9,3,'3',2,'PRIVATE'),(10,2,'3',3,'Lorem ipsum dolor sit amet, consectetuer adipiscing elit, sed diam nonummy nibh euismod tincidunt ut laoreet dolore magna aliquam erat volutpat. Ut wisi enim ad minim veniam, quis nostrud exerci tation ullamcorper suscipit lobortis nisl ut aliquip ex ea commodo consequat. Duis autem vel eum iriure dolor in hendrerit in vulputate velit esse molestie consequat, vel illum dolore eu feugiat nulla facilisis at vero eros et accumsan et iusto odio dignissim qui blandit praesent luptatum zzril delenit a\r\n\r\n'),(73,2,'6',1,'\r\n \r\nInlet customers include many of the leading names in digital media,\r\nsuch as HDNet, Akimbo, Modern VideoFilm, Moviebeam, CinemaNow and\r\nMicrosoft Studios, among others. We work with preeminent companies such\r\nas Microsoft, Scientific Atlanta, HP, Intel and Texas Instruments. Our\r\nproducts earned NAB Pick Hits awards in both 2005 and 2006. Inlet is\r\nled by a management team with decades of industry experience, and is\r\nbacked by an impressive group of leading investors.
Whether\r\nyou’re a content provider, programmer, distributor, or broadcaster, the\r\ntime to take advantage of the new world of digital media is now.
Reach\r\nnew customers. Commercialize your content in new ways. Optimize your\r\ncontent for any platform, from mobile phone to computer to high\r\ndefinition television.
Inlet continues to work with video\r\nprofessionals to customize encoding solutions for a broad range of\r\ndigital media applications such as video-on-demand, dailies, distance\r\nlearning and high definition content creation. Use these case studies\r\nfor tips on how advanced encoding can optimize your own opportunities\r\nfor digital media creation and distribution.
\r\n \r\nCheck\r\nback frequently as we add to this list. If you have an example of how\r\nInlet products are changing your workflow or business, e-mail us.
- Like most production facilities, Microsoft Studios often races against the clock to deliver projects on time. Highly skilled video technicians are usually costly, so optimizing their time is critical. The studio has been doing HD encoding for more than three years, but the process previously required at least nine hours – more than one work day – to encode one hour of film. Fathom has now made real-time HD encoding a reality, allowing them to cut production time by 75%. They can also use Fathom to encode “live” from tape into the preferred Windows Media format. They say Inlet has changed the way they do business, enabling them to accept last minute requests and still give their clients the turnaround time they want and the quality they need.
\r\n\r\nSyncCast - Microsoft tasked SyncCast with using its video distribution service for its newly launched Xbox 360 to enable users, via Xbox LIVE (Xbox\'s online entertainment network), to download digital video content. Microsoft needed 1000 hours of content ready for distribution by CES 2007, less than 60 days away. SyncCast utilized Inlet\'s Semaphore automated Quality Control solution to boost their productivity by over 40%, meeting a deadline they had thought impossible months earlier.
'),(54,2,'14',2,'\r\n \r\nInlet’s advanced encoding solutions enable new media for new networks. Inlet products work in a variety of applications, including:
\r\n\r\nClick on any of the Inlet product families below to learn more about how Inlet can improve your video quality, increase your efficiency, and speed up your video output.
'),(59,1,'16',1,'High quality video over any IP network'),(60,2,'16',2,'\r\nNeal Page has over 20 years experience in business management and product development specializing in advanced technologies for video, imaging, and computer graphics. He is a recognized leader in the streaming media industry, and founded Osprey Technologies in 1994 (now a division of ViewCast Corporation). Mr. Page lead Osprey to a majority market position by securing strategic industry partnerships, winning OEM business, and delivering world-class products to establish the Osprey brand as the industry\'s \"de facto standard.\" RealNetworks launched RealVideo® in 1997 with Osprey products. Previously, he held management positions at Sun Microsystems where Mr. Page led an elite Advanced Products Group to quickly deliver advanced media technology to market. Prior to that, he held senior engineering positions at Sun Microsystems, General Electric and Data General. Mr. Page holds BS and MS degrees in electrical and computer engineering from North Carolina State University, and has completed executive programs at the University of North Carolina\'s Kenan-Flagler Business School. He presently serves on the board of directors of Hauppauge Digital, Inc (NASDAQ: HAUP).
'),(70,2,'48',1,'Neal Page has over 20 years experience in business management and\r\nproduct development specializing in advanced technologies for video,\r\nimaging, and computer graphics. He is a recognized leader in the\r\nstreaming media industry, and founded Osprey Technologies in 1994 (now\r\na division of ViewCast Corporation). Mr. Page lead Osprey to a majority\r\nmarket position by securing strategic industry partnerships, winning\r\nOEM business, and delivering world-class products to establish the\r\nOsprey brand as the industry\'s \"de facto standard.\" RealNetworks\r\nlaunched RealVideo® in 1997 with Osprey products. Previously, he held\r\nmanagement positions at Sun Microsystems where Mr. Page led an elite\r\nAdvanced Products Group to quickly deliver advanced media technology to\r\nmarket. Prior to that, he held senior engineering positions at Sun\r\nMicrosystems, General Electric and Data General. Mr. Page holds BS and\r\nMS degrees in electrical and computer engineering from North Carolina\r\nState University, and has completed executive programs at the\r\nUniversity of North Carolina\'s Kenan-Flagler Business School. He\r\npresently serves on the board of directors of Hauppauge Digital, Inc\r\n(NASDAQ: HAUP)..\r\n\r\n'),(92,2,'36',1,'\r\n \r\nVideo Media Solutions
11743 West Patrick Lane
Sun City, AZ 85373
(623) 556-1814
Contact: Steven Lamphear
picturetools
Ferdinand-Beit-Str. 7b
20099 Hamburg
+49 (40) 320 330 51
– the world’s most powerful encoding platform for VC-1, Windows Media, AVC and Flash files. Stunning quality. Breakthrough workflow capabilities for the highest efficiency. The speed to produce digital files, even high-definition content, in real time.
– the world’s first automated quality control program for digital encoding. Eliminate the time-wasting tedium of manual quality checking. Complete, automated quality control that evaluates hours of content in minutes – and delivers a full report, right to your inbox.
– real-time, broadcast quality streaming, delivered on any device, from mobile to web to high-definition television. With full network management capabilities, so you can manage dozens or hundreds of Spinnakers deployed over a wide geographic area, using standard network management software.
'),(314,8,'30',10,'THXTarari, Inc.
Tarari, the leader in deep content inspection silicon, is headquartered in San Diego, Calif., USA. Tarari designs and develops Content Processor silicon to allow original equipment manufacturers (OEMs) to accelerate and offload compute-intensive, complex algorithms used in XML/Web Services, Network Security and Digital Media environments. A fabless semiconductor company whose product line primarily includes ASICs, Tarari also offers boards and software acceleration components designed for network equipment, appliance and server vendors, as well as independent software vendors. Tarari is a privately held company with venture backing from Crosspoint Venture Partners, Morgan Stanley Venture Partners, Enterprise Partners Venture Capital, Miramar Venture Partners, XMLFund and Intel Capital. For more information, visit www.tarari.com, e-mail: info@tarari.com or call 858-385-5131.
John is recognized as a digital video industry expert. He has been featured as a speaker and expert panelist at numerous worldwide events including DV Expo, Digital Hollywood, National Association of Broadcasters annual conference (NAB), Parks Associates, VON, Streaming Media East/West/Europe tradeshows and RealNetworks Conferences. Prior to joining Inlet, John served as the Director of Business Development and Product Management for Osprey Technologies (acquired by ViewCast Corporation). There, he identified and developed key market opportunities resulting in multiple consecutive revenue growth quarters, despite global economic downturn. His other accomplishments at Osprey include: generating sales tools and collateral that reduced overall costs of sales by $1M over 3 years, developing and managing strategic business relationships with Microsoft, RealNetworks and HP, and successfully launching e-commerce initiatives, netting an overall increase of 800% in direct sales. He has authored white papers, web content, press releases and industry presentations, affirming industry leadership position in technology, partnerships, overall ecosystem and people. Prior to Osprey, John spent three years at IBM where he served as a product engineer with IBM\'s Aptiva PC Division. He currently serves on the board of directors at Accordent Technologies, based in Hermosa Beach California, and holds a B.S. in Chemical Engineering from North Carolina State University.
'),(313,8,'30',6,'\r\nHewlett Packard\r\n'),(241,2,'7',4,'\r\n\r\nThe\r\nworld’s most powerful encoding platform for VC-1, Windows Media, AVC\r\nand Flash files. Stunning quality. Breakthrough workflow capabilities\r\nfor the highest efficiency. The speed to produce digital files, even\r\nhigh-definition content, in real time.
\r\n
\r\n'),(218,21,'37',1,'\r\nThe\r\nworld’s first automated quality control program for digital encoding.\r\nEliminate the time-wasting tedium of manual quality checking. Complete,\r\nautomated quality control that evaluates hours of content in minutes –\r\nand delivers a full report, right to your inbox.
\r\n
Neal has over 20 years experience in business management and product development specializing in advanced technologies for video, imaging, and computer graphics. He is a recognized leader in the streaming media industry, and founded Osprey Technologies in 1994 (now a division of ViewCast Corporation). Neal led Osprey to a majority market position by securing strategic industry partnerships, winning OEM business, and delivering world-class products to establish the Osprey brand as the industry\'s \"de facto standard.\" RealNetworks launched RealVideo® in 1997 with Osprey products. Previously, he held management positions at Sun Microsystems where Neal led an elite Advanced Products Group to quickly deliver advanced media technology to market. Prior to that, he held senior engineering positions at Sun Microsystems, General Electric and Data General. Neal holds BS and MS degrees in electrical and computer engineering from North Carolina State University, and has completed executive programs at the University of North Carolina\'s Kenan-Flagler Business School. He presently serves on the board of directors of Hauppauge Digital, Inc (NASDAQ: HAUP).
'),(137,2,'38',1,'Inlet\'s Board of Directors is made up of technology and finance leaders\r\nfrom around the country. In addition, Inlet management consults\r\nregularly with industry experts to gain input and advice on both\r\nstrategic direction and market trends.Automated quality control software…and a free month of movies from Netflix?
Yes, that’s right. We’re so convinced that Semaphore automated quality control software will change your QC process forever, that we’ll give you 15 days to try it yourself, absolutely free. And we’ll send you a code for a free one-month subscription from Netflix, just for trying our software. Already a Netflix subscriber? Yes, this applies to you, too!
Wouldn’t you like to reduce the drudgery of visual, frame-by-frame, manual checking? How about improving the quality of your encoded content? And approving more video in less time?
Isn’t it time to automate your quality control process?
Download your free trial of Semaphore automated quality control software. And see why video professionals everywhere are turning to Semaphore as their quality control standard.
Just click the Download button below, and try it for 15 days. Or if you’re already convinced, click the Buy It Now button to purchase the software. Either way, we’ll send you a free Netflix code.
HB Communications
1432 Main Street
Waltham, MA 02451
781-890-6046
Intelligent Decisions
21445 Beaumeade Cir.
Ashburn, VA 20147
800-929-8331
ACS
7078 Peachtree Industrial Boulevard, Suite 800
Norcross, GA 30071
770-368-8704
VideoTex Systems Inc.
10255 Miller Rd.
Dallas, TX 75238
800-888-4336
Sample Digital
11075 Santa Monica Blvd., Suite 175
Los Angeles, CA 90025
310-478-6644
Keycode Media
1004 Santa Monica Blvd.
Santa Monica, CA 90401
310-401-6700
MESoft
2815 W. Olive Ave.
Burbank, CA 91505
818-260-0858
Bryson D. Hollimon is the founder and Managing General Partner of Technology Venture Partners, L.P., an early to mid-stage venture capital fund with an investment strategy focused on networking, communications, software and semiconductor technologies. Prior to forming Technology Venture Partners in 2000, he was a Senior Managing Director and Director of Investment Banking at Dain Rauscher Wessels, now RBC Capital Markets. Previously, he spent ten years as an investment banker, senior executive and venture capital investor, with Wessels, Arnold & Henderson. In his roles as Head of Investment Banking at Wessels, Arnold & Henderson, LLC (WAH) and its successor firm Dain Rauscher Wessels, LLC, Mr. Hollimon was responsible for the execution of over $18.4 billion of equity financings and $7.6 billion of merger & acquisition advisory work. Prior to joining Wessels in 1989, Mr. Hollimon was a Senior Vice President in the investment banking division of Wheat First Securities, Inc, now Wachovia Corporation. Currently, Mr. Hollimon serves on the boards of the following companies: Aegis Semiconductor, Inc.; Inlet Technologies, Inc.; Nistica, Inc.; Redshift Systems Corporation; SentitO Networks, Inc. and Verrillon, Inc. In addition, Mr. Hollimon also serves as Vice Chairman of the Urban Ventures Leadership Foundation, Minneapolis, MN. Mr. Hollimon is also a guest lecturer at the University of Minnesota Carlson School of Management on topics related to investment banking and venture capital.
'),(346,2,'35',5,'Fathom 2.5 and Semaphore 1.5 support the following video profiles:
\r\n\r\nFiles encoded according to these profiles are identified by their Four Character Code (FourCC). The FourCC identifier is located at the beginning of a media file and tells the system what codec to utilize form decoding the file. The VC-1 video codec specification (also known as SMPTE 421M), which is being standardized by the Society of Motion Picture and Television Engineers (SMPTE), utilizes all three of these profiles. Understanding the differences between these profiles can help you decide which profile best fits your delivery stream.
Matrix Professional Video Systems
123 West Seventh Ave.
Vancouver, BC V54 1L8
800-875-6301
Acura Technology Group
1275 West 6th Ave. Suite 338
Vancouver, BC v6h 1A6
604-739-9796
AV2P
86-88 Rue-du Vieux Pont,
92 000 Nanterre, France
(33) 01 41 44 00 00
Digital Synapsis
Via Santa Maria, 90-20093
Cologno M. SE (MI) Italy
39 0236527850
EVC
78-6 Kanda-Sakuma-Kashi
Chiyoda-Ku, Tokyo 101-0026
+81-3-5687-5842
BeWorks
www.beworksmedia.co.kr
82 16 548 1994
Ray Goudreau Sales
37 Mueller Road
Holyoke, MA 01040
Mr. Luck joined Core in April of 2000 and concentrates primarily on the firm\'s technology investments. His areas of focus include the telecommunications, software, and information technology sectors. Mr. Luck serves on the Boards of Directors of Covega, Nextone, Trust Digital, and VPI Systems and is a Board Observer at Sourcefire and Trinity Convergence.
\r\n\r\nPrior to joining Core, Mr. Luck was a Director and Founder of CrossHill Financial Group, a DC-based, private investment banking firm. At CrossHill, Mr. Luck was responsible for executing numerous merger and acquisition transactions, private placements, and financial advisory assignments for clients in the communications, high technology, manufacturing, and service industries. Earlier, Mr. Luck was a Senior Manager in the management consulting division of Deloitte & Touche, where he specialized in finance and strategy for the telecommunications and information technology industries. His clients included AT&T, MCI, Sprint, GTE, Bell Atlantic, Williams, and US West, among others. Mr. Luck is a Chartered Financial Analyst and a member of the Association for Investment Management and Research. He holds an M.B.A. in Finance with Distinction from The Wharton School of the University of Pennsylvania, a Masters of Electrical Engineering from the University of Maryland, and a Bachelor of Science degree in Physics/Engineering from Loyola College. He lives in Washington, DC with his wife and son.
'),(296,21,'38',7,'Jim Pastoriza joined TDF early in 2004, after being a founding partner of Telegraph Hill Communications Partners, L.P. based in San Francisco, California and a partner of J.P. Morgan Communications Partners, L.P. He also has experience as an associate, and later partner, at AT&T Ventures. Prior to AT&T Ventures, Mr. Pastoriza held operational positions at AT&T and Lucent Technologies. He was the Product Manager for AT&T\'s Consumer Long Distance Service, generating $13 billion in revenue from 60 million customers. Before joining consumer services, Mr. Pastoriza was the Executive Assistant to AT&T\'s Senior Vice President of Corporate Strategy and Development and a member of AT&T\'s Executive Committee. Previously, Mr. Pastoriza was a Lucent Technologies Account Executive ranking in the top 1% of national sales. He received a B.S. from Columbia University and earned his M.S. from the Massachusetts Institute of Technology.
'),(144,2,'39',1,'Inlet Technologies is a privately-owned company backed by private, strategic, and venture investors. To date, the company has raised over $9 million. Inlet is using this capital to extend market reach in the fast-growing digital media arena, where our advanced encoding solutions deliver superior video quality and improved efficiency. Among our investors are the following firms:
Inlet also offers its Semaphore automated quality control software directly from our web site. You can download a free trial of Semaphore, or simply purchase it now, just by clicking on one of the buttons below.
\r\n\r\n\r\n\r\n
'),(380,4,'20',3,''),(298,21,'38',4,'
Don joined Technology Venture Partners in November 2007 as a Venture Partner, where he works with each of the firm’s portfolio companies on issues of strategy and business development. Previously, he served as President and CEO of Aegis Lightwave, a leading manufacturer of cost-effective optical network monitoring solutions based in Woburn, MA. Don joined Aegis after a decade-long career with JDS Uniphase Corporation, where he held a variety of senior leadership roles including: President of the Transmission Sub-systems Group, President of the Active Components Group, and General Manager of the Electro-optic Products Division. Don holds B.S., M.S., and Ph.D. degrees in electrical engineering from MIT. In addition, he has completed executive education courses at Stanford University School of Business. Don also serves on the Board of Directors for several privately held companies.
'),(269,8,'39',5,'Telecommunications Development Fund
The TDF is a venture capital fund with $50M under management and focused on investments in the Communications Sector. Based in Washington, DC, the fund is focused on technology and services companies in the seed and early stages and in select later stages.
'),(195,2,'42',1,'
Customer support hours of operation:
9:00am to 7:00pm Eastern Standard Time
Support is available via email for all Inlet products.
Click here to email Inlet support
We will reply to support request emails within one business day.
\r\n\r\n'),(476,2,'28',2,'Each year at NAB Inlet demonstrates our commitment to innovation and development in New Media by bringing new products, services and capabilities to the show floor. This year promises to be no different. Join Inlet this April 14th-17th in Las Vegas for NAB2008. Stop by booth SL8325 to experience our exciting new solutions for Live Streaming, Transcoding and Video on Demand in an expanded, interactive show presence.
'),(267,8,'39',3,'Core Capital PartnersNow there is a way to meet your standards for the highest quality output without wasting resources on the tedious, time-consuming task of visually evaluating video, frame-by-frame. Semaphore™ is a robust software application that automates the Quality Control process, so you can evaluate hours of content in minutes, and break the QC bottleneck.
Define and apply your parameters for quality, bit rate, dropped frames or other metrics – then let Semaphore do the rest. Its automatic alerts zero in on frames or scenes that fail to meet your criteria, so you can identify trouble spots at a glance. Straightforward graphs, summary windows and reports provide comprehensive analysis of every frame. With one cost-effective solution you increase your control over your content and eliminate hours of staring at the monitor.
Semaphore delivers an unprecedented level of automation and control. Prior to QC, simply define your job-specific encoding metrics and Semaphore will alert you if any portion of your content falls outside your acceptable parameters. Don’t waste time studying every minute of video – Semaphore can do it for you!
\r\n\r\n\r\nSemaphore gives you many tools to zero in on encoding flaws. In addition to the automated alerts, easy-to-read graphs provide comprehensive encoding metrics on a standard media timeline. This frame-accurate timeline includes time code values to facilitate frame scrubbing and precise adjustments.
Maximize efficiency by focusing only on the frames that have failed to meet your standards. Quick segment touch-ups are also a breeze when you use Semaphore in conjunction with the Seen by Scene™ feature in Inlet’s Fathom™ encoder product family.
\r\n\r\n
Semaphore “watches” for source files within a central directory (Watch Folder) and moves them automatically through QC. You can designate Watch Folder settings to analyze all files according to your criteria, and then generate reports via email. This feature accommodates files originating from multiple locations or personnel, for greater processing automation.
Semaphore generates comprehensive, easy-to-read reports that detail encoding statistics and alert information in a variety of formats – text, XML or HTML. You can configure Semaphore’s user-friendly interface to automatically email these reports to your designated recipient list.
\r\n\r\nSemaphore gives you a command line option for scripting and batch file processing. Use the Batch Report feature to analyze multiple files and generate the corresponding reports, so you can easily process batches of media without real-time monitoring.
'),(162,2,'32',5,'\r\n \r\nClick here for Fathom and Semaphore System Requirements.
\r\n \r\n'),(209,1,'34',1,'Minimum and recommended system requirements'),(164,2,'34',2,'Fathom Minimum Requirements:
\r\n\r\nFathom Recommended Configuration:
\r\n\r\nSemaphore Minimum Requirements:
\r\n \r\nSemaphore Recommended Configuration:
\r\n \r\n\r\n\r\n'),(425,1,'29',31,'Australia'),(426,2,'29',32,'*For PCI-x solution, please contact sales@inlethd.com regarding availability.
\r\n
Digital Studio Pty Ltd
ABN 44 075 742 264, PO Box 561
Moorebank, NSW Australia
Snader and Associates
101 Glacier Point Rd., Ste. A
San Rafael, CA 94901
415-257-8480
As\r\nthe firm\'s founder, Fred D. Hutchison has helped to establish Hutchison\r\nLaw Group as the premier provider of strategic business and\r\nintellectual property-related legal counsel to leading technology\r\ncompanies throughout the Southeast.
\r\n \r\n
Mr. Hutchison is a\r\nrecipient of the Order of the Long Leaf Pine, the highest civilian\r\nhonor within the State of North Carolina, and was named 2007\r\nEntrebizneur of the Year by Business Leader Magazine. Among numerous\r\nother appointments and recognitions, he has recently served as Chairman\r\nof the Triangle Community Foundation. He is currently the Co-Chair of\r\nthe capital campaign for WUNC-FM and the Chair of the First Flight\r\nVenture Center, a non-profit incubator located in Research Triangle\r\nPark. He is also the founding President of the Council for\r\nEntrepreneurial Development, the largest entrepreneurial support\r\norganization in the country.
From the Properties page, click on the pull-down menu under Output: Speakers. Select 3/2+SW 5.1 channels. Verify that you have selected this option and not 3/2 5 channel, as the 3/2 5 channel will not work with Fathom.
'),(342,4,'35',22,''),(343,2,'35',23,'After selecting this output, close the AC-3 Properties page and open Fathom. If the source file includes AC-3 multi-channel audio, the input screen within Fathom will show six channels of audio as opposed to the default of two.
'),(344,4,'35',24,''),(345,2,'35',25,'At this point, step through your job settings until you reach the Compression screen. When selecting the audio compression format, you should only have 5.1 selections available. After making this selection you can continue with your job settings and queue the job. The output file will be a WMV file with 5.1 audio.
'),(338,2,'35',18,'AC-3 (Active Coding 3) is Dolby\'s third generation audio coding algorithm. AC-3 is more commonly known in the consumer space as Dolby Digital. Per the technical specifications for DVD creation, every disc must use at least one PCM or Dolby Digital soundtrack. One of the most frequently used versions of Dolby Digital is the 5.1 channel implementation. Dolby Digital 5.1 contains six total channels of sound, with five channels for normal-range speakers (Right Front, Center, Left Front, Right Rear and Left Rear) and one channel for the Low Frequency Effects (LFE), or subwoofer. The Dolby Digital format supports Mono and Stereo usages as well. Inlet\'s Fathom encoder outputs a WMV file, which does not support AC-3. In order to retain the multi-channel audio in your encoded output, the source audio file must be converted to WMA 5.1 audio during the encoding process. Below are instructions for how to easily make this conversion within Fathom: Open the Control Panel and select the AC-3 Filter icon.'),(336,4,'35',33,''),(337,2,'35',34,'\r\n\r\n14. *The AVISynth Script bin can also be used to create new or modify existing AVS files for non-trick stream scripts. If you do make a change to any of the Inlet supplied AVS scripts, we recommend that you should do a “Save As” to the script, so as to not overwrite the original script.
\r\n\r\n15. Click the “Create Jobs” button and your jobs should automatically be imported and queued for encoding into Fathom.
\r\n
By integrating AVISynth and Fathom, you can fully extend the power of the Fathom software and hardware into an efficient encoding workstation, capable of handling a broad spectrum of video processing projects.
\r\n\r\nBelow are the steps required to generate .ES files with InletASFDump. Please note that the Advanced Profile (AP) is the only VC-1 profile that can be utilized with InletASFDump to generate an .ES file.
Step 1 – Create a Job in Fathom, making sure that you select the Advanced Profile codec within the compression section.
Step 2 – Encode the Job
Step 3 – Once the Job is complete you can utilize the video analysis and analysis timeline to play back and scrutinize the encoded output. If you have any frames that need to be re-encoded you can utilize the Seen by Scene™ feature available within Fathom. Seen by Scene segment re-encoding allows a critical or problematic scene to be re-encoded, without re-encoding the entire clip.
Step 4 – Once you are satisfied with the quality of your encoded output you can utilize the InletASFDump tool by entering a command using the format in the example above. InletASFDump will extract the video elementary streams from the WMV file to create an .ES file.
Step 5 – Import the .ES file into your HD DVD or Blu-ray authoring program.
The following options are provided in ASFDump:
• (-Iframes) List all I frames with time codes
• (-frames) List all frames with times codes and frame sizes
• (-attr) List all the attributes of the file
• (-markers) List all markers found in the file
• (-scripts) List all script commands found in the file
• (-profile) List profile information gathered from the file
• (-dump) Dump all compressed frames to individual files
• (-elem filename.es) Extract the video elementary stream and save to a single output file
• (-segment [start1, end1, start2, end2, ….]) Extract compressed segments to binary files
Usage
InletASFDump
The default installation location for InletASFDump is c:Program FilesInlet TechnologiesFathom.
Please note directions from Mapquest are incorrect. Please use the directions below or contact Inlet corporate headquarters for directions from your location.
From Raleigh Durham International Airport
1. Take I-40 E toward Raleigh . (Do NOT get off on Wade Avenue )
2. Take exit 293B, US-1 S/US-64 W towards Wake Forest.
3. Merge onto US-1 N.
4. Take the Jones Franklin Road exit, exit number 1C
5. Turn RIGHT onto Jones Franklin Road.
6. Turn RIGHT onto Capital Center Rd.
7. Turn RIGHT onto Situs Court
8. Proceed “straight through” the traffic circle
9. Make an immediate LEFT into parking lot. Inlet Technologies is located on the third floor in Suite 330.
From North Raleigh
1. Take US-1 S/US-64 beltline (outer loop) south towards Cary, Sanford
2. Take the Jones Franklin Road exit, exit number 1C
3. Turn LEFT onto Jones Franklin Road.
4. Cross over bridge and Turn RIGHT onto Capital Center Rd. 5. Turn RIGHT onto Situs Court
6. Proceed “straight through” the traffic circle
7. Make an immediate LEFT into parking lot. Inlet Technologies is located on the third floor in Suite 330.
Copyright Notice
Copyright © 2004-2007 Inlet Technologies, Inc. All rights reserved.
Terms of Use / Privacy Policy
Please review the following information. By using this site you agree to the terms and provisions contained in this notice. The terms and conditions set forth are subject to change without notice. Your use of the site following any such change shall be viewed as your agreement to be bound by such change.
Trademarks
Inlet Technologies, Inlet, the Inlet logo, Fathom, Spinnaker, Semaphore, OCEAN, MediaCat, and Seen by Scene are trademarks of Inlet Technologies, Inc. All other trademarks are the property of their respective owners.
Disclaimer
Information on this website (the “Site”) is subject to change without notice. No representation or other statements of fact or otherwise contained on the Site shall be deemed to be a warranty by Inlet Technologies, Inc. (“Inlet”) for any purpose or give rise to any liability of Inlet except as set forth in a written agreement executed by Inlet.
The Site and any information contained therein are provided “as-is”, without warranty of any kind, whether express or implied, including but not limited to the implied warranties of merchantability or fitness for a particular purpose.
Inlet does not endorse any of the companies, products or services associated with any of the links provided on the Site, and has not taken any steps to confirm the accuracy or reliability of any of the information contained in any third party web sites.
If you are encoding content with Fathom, or simply are interested in general encoding techniques, this section will provide some tips, some tricks and some background information.
If you have a specific question about working with Fathom or Semaphore, please click here to reach our Customer Support team.
Topics:
Work with source files, tapes, cameras, video servers or Non-linear editing systems; all from one user interface. 8-bit, 10-bit, SD, HD, single tape or multiple tapes: Fathom can handle it all.
Unattended encoding is done with ease using Fathom’s watch folder feature. Simply specify your watch folder location and assign job templates to the watch folder. Fathom will monitor the watch folder for any new media asset and initiate jobs based on your templates whenever new media is found. Using the Queue function you can also reprioritize jobs without removing them from the Queue.
Don’t waste time re-encoding entire clips. Use Seen by Scene to select individual segments of an encoded file, then re-encode just the selected segments, not the entire clip.
Support captioning with SAMI, Open or CEA 608 and 708 Closed Captioning modes. Fathom recognizes that source captioning information can come from several locations: Tape, source media file or stand alone captioning file. Whichever workflow you have - Fathom has you covered.
Manage your encoding jobs while simultaneously creating a digital archive. Digital archiving can be done in uncompressed or high bit rate compressed formats.
Don’t have time for long, tedious encodes. Fathom provides real-time encoding of SD, HD, even 1080i HD! When you need fast, frame accurate encoding, only Fathom delivers the highest quality, in real-time, at any resolution.
Capitol Broadcasting Company
Capitol Broadcasting Company is a diversified communications company headquartered in Raleigh, NC. A pioneer in high-definition content creation and distribution, CBC was the first commercial company in the nation licensed to broadcast the High Definition (HDTV) television signal.
A pioneer in the information age, Neil has over 25 years of extensive marketing and CEO experience. Prior to joining Inlet, Neil served as the Executive Vice President of Products and Marketing for Approva in Northern Virginia. Neil previously spent 25 years in Silicon Valley, where he was President and CEO of several high-technology companies, including Pivia, OneWorld Systems and Global Village Communication. At Global Village, Neil led the company’s explosive growth, including a successful IPO in 1994. Neil was previously the Director of Marketing for portable computing at Apple Computer, Inc., where he led the original launch of Apple\'s award winning PowerBook notebook computers. Neil holds BA and MS degrees in physics from Pomona College and Brown University, and an MBA from Harvard Business School. Neil also volunteers as an Entrepreneur-in-Residence at the Dingman Center for Entrepreneurship at the University of Maryland.
'),(227,21,'37',3,'\r\nScott is a widely recognized expert in the streaming media industry with over a decade of experience in leading technology and product development involving video technologies. As the former Vice President of Engineering at Osprey Technologies, Scott led the research and development for all software and hardware products that achieved wide industry recognition known for world-class quality, reliability and performance. Previously, Scott worked for Sun Microsystems developing advanced video processing software. He graduated summa cum laude with an M.S. degree in computer engineering from North Carolina State University. \r\n
'),(242,2,'7',5,'\r\n \r\n\r\n'),(230,21,'37',5,'\r\nReal-time,\r\nbroadcast quality streaming, delivered on any device, from mobile to\r\nweb to high-definition television. With full network management\r\ncapabilities, so you can manage dozens or hundreds of Spinnakers\r\ndeployed over a wide geographic area, using standard network management\r\nsoftware.
\r\n
Peter brings over twenty years of sales and marketing experience to the Inlet team, with a career that includes executive roles for Fortune 500 firms such as Scientific Atlanta, Intelsat, GTE and GE. His experience spans a broad range of technologies, and he is recognized within the industry as an IPTV expert. Peter also brings significant international business experience to Inlet. He has established offices in Tokyo, Frankfurt and London and has traveled extensively in sales leadership positions. Most recently Peter served as president of Entropy Inc., a consultancy firm providing strategy and sales direction for the transition to new media. Prior to Entropy, he was vice president of worldwide sales, in Scientific Atlanta’s Media Networks division.
'),(232,21,'37',6,'Todd has 23 years of professional accounting experience in public and private sectors. His experience spans information technology, clinical research, and manufacturing disciplines He has extensive knowledge of managing multi-entity accounting systems, operations, financial analysis, capital improvement planning, investor relations and human resources. Before joining Inlet, Todd held management positions as Director of Finance for Quintiles and Senior Accounting Analyst at PBS&J. Todd has auditing experience with international CPA firms and is a licensed Certified Public Accountant in Florida. Todd holds a BS degree in Accounting from Bradley University.
'),(234,21,'37',7,'Randy brings more than 15 years of manufacturing, procurement and operations experience to Inlet Technologies ranging from start-up to large company. Most recently he led the operations team at North Carolina-based telecommunications start-up Hatteras Networks. There Randy was responsible for setting up the internal manufacturing processes, developing and managing the supply chain, and the new product introduction of the Hatteras products. Prior to Hatteras, at Osprey Technologies he was responsible for product cost reductions and the launch to volume manufacturing several new products. Previously, Randy held management positions with General Electric and NetEdge Systems. He is widely recognized and respected throughout the electronics industry. Randy holds BS and MS degrees in electrical engineering from Syracuse University.
'),(266,8,'39',2,'Capitol Broadcasting Company
Capitol Broadcasting Company, Inc. is a diversified communications company which owns and/or operates WRAL-TV , WRAL Digital , WRAL-FM , Microspace , the North Carolina News Network, CBC New Media Group LLC and Wolfpack Sports Marketing in Raleigh, NC; WJZY-TV and WWWB-TV in Charlotte, NC; WILM-TV in Wilmington, NC; WRAZ-TV and The Durham Bulls in Durham, NC; the Myrtle Beach Pelicans Baseball Club in Myrtle Beach, SC; and various interests in North Carolina.
AVISynth is a powerful tool for video post-production, providing a multitude of video processing options. AVISynth works as a frameserver, performing processing functions instantly, without the need for temporary files.
\r\n\r\nAVISynth does not have a graphical user interface (GUI) but instead relies on a script system that allows advanced video processing. While this may at first seem tedious and unintuitive, it is remarkably powerful and is a very good way to manage projects in a precise, consistent and reproducible manner. Because text-based scripts are human readable, projects are inherently self-documenting. The scripting language can be used to create complex filters from basic operations, to develop a sophisticated palette of useful and unique effects.
\r\n\r\nTo enhance Fathom’s capabilities, features and overall value, Inlet has designed Fathom™ 2.5 to recognize AVISynth scripts (.avs files). Some useful implementations of AVISynth scripts include:
\r\n\r\n
To use AVISynth with Fathom (2.5 required), you must first install AVISynth and the appropriate filter(s) to enable within Fathom. AVISynth is available at www.avisynth.org, or from the Fathom 2.5 or higher installation CD and can be installed when installing Fathom. The Fathom 2.5 CD also includes a set of filters to enhance Fathom’s capabilities.
Fathom will recognize and handle most AVISynth .avs scripting files, so the integration of Fathom and AVISynth is as simple as using a file-based asset.
\r\n\r\nTo use Fathom and AVISynth, follow these steps:
\r\n\r\n
Here is an example script using a single AVI file without any pre-processing:
DirectShowSource(\"D:AVIAVI_Source_File.avi\")
Example using an AVI file and applying a contrast/brightness filter:
DirectShowSource(\"D:AVIAVI_Source_File.avi\")
Tweak(cont=1.2,sat=1.0,bright=10,hue=0)
Another example using the same AVI file with a fast resizing filter:
DirectShowSource(\"D:AVIAVI_Source_File.avi\")
BilinearResize(528,480,0,0,0,0)
Another example using the same AVI file with a more advanced resize and crop filter:
DirectShowSource(\"D:AVIAVI_Source_File.avi\")
Crop(8, 8, -8, -8)
LanczosResize(640, 360, taps=4)
Example joining (concatenating) two AVI files:
clip1=DirectShowSource(\"D:AVIAVI_Source_File.avi\")
clip1=DirectShowSource(\"D:AVIAVI_Source_File.avi\")
clip1 ++ clip2
Here is a complex example using two GXF files (via Inlet’s GXF decoder):
\r\n\r\n# Test GXF inverse telecine encode, joining files
clip1=DirectShowSource(MakeGXFGraph(\"D:GXF.gxf\"),pixel_type=\"YUY2\")
clip2=DirectShowSource(MakeGXFGraph(\"D:GXF.GXF\"),pixel_type=\"YUY2\")
# Do an \"aligned\" join
clip1 ++ clip2
AssumeTFF()
Telecide(guide=1,post=2,vthresh=30)
Decimate()
BilinearResize(528,480,0,32,0,0)
ConvertToYV12()
This script is performing 4 functions. First it will concatenate two 720x512 telecined GXF files, then apply an inverse telecine from 29.97fps to 23.98fps, followed by a crop of the image 32 pixels from the top, and finally scale the output to 528x480.
\r\n\r\nRecommended AVISynth filters (included with Fathom install unless otherwise noted):
\r\n\r\nTricks streams are traditionally used in Video-on-Demand applications and enable fast forwarding and rewinding at rates greater than 1x speed. Trick streams are generated from previously encoded files, and therefore the process is different than normal encoding. The following guide describes the process required by Fathom for trick stream generation:
\r\n\r\nFathom 2.5 includes a Batch Job processing application to help create VC-1 fast forward trick stream files more efficiently. To use the Batch Job processing application:
\r\n\r\n\r\n'),(331,4,'35',28,''),(332,4,'35',29,''),(333,2,'35',30,'1. Encode a WMV file with Fathom.
\r\n\r\n2. Open the job settings used for the previously encoded file that will be the source for the trick stream generation.
\r\n\r\n3. At the Input tab, adjust the source pixel aspect ratio to the output aspect ratio of the original encode (*this can easily be determined if you go to the Sizing tab and note the Pixel Aspect Ratio under the Output area in the upper right corner). You should also change the Audio Sources parameter to “None”.
\r\n\r\n4. At the Sizing tab, verify that the Cropping and Resizing parameters are set to “None”.
\r\n\r\n5. At the Compression tab, it is generally best to disable Two pass encoding if previously enabled (unnecessary for generating trick streams), and beneficial to change the Scene change threshold to a high value (~75 recommended).
\r\n\r\n6. At the Processing tab, check to make sure that the Interlace Processing option is set to “None” and that Pre-Processing is set to Smooth (for better quality encodes).
\r\n\r\n7. Once you have selected appropriate settings for trick stream generation, choose the “Save as Template…” button in the lower left corner of the job settings window.
\r\n\r\n8. After saving a template for your trick stream generation, Enable Watch Folders in Fathom under the Tools menu (Tools ? Watch Folder…). Also be certain to enable the option “Watch for job files only”.
\r\n
\r\n'),(334,4,'35',31,''),(335,2,'35',32,'9. Next, open the Fathom Batch Job Utility from the Tools menu (Tools?Batch Job Utility…) or by pressing Ctrl+B
\r\n
\r\n'),(428,2,'56',2,'10. Locate your encoded WMV file and add that as a source in the Source Files bin.
\r\n\r\n11. In the Fathom Jobs bin from the Batch Utility, select the saved Fathom Job Template you created for trick streams and alter any other settings you may wish to customize. Under both of the “filenames” input, Inlet recommends: %SOURCEFILEBASE%_%TRICKSTREAM%. Also, it is critical here to make sure that your “Output directory for jobs and scripts:” is set to the same directory as the folder you set to watch in Fathom.
\r\n\r\n12. In the AVISynth Script bin, open the included script from the following directory: “C:Program FilesInlet TechnologiesFathomAVS Examples” titled “trick_template_2997.avs”. If your source WMV’s frame rate is not 29.97, then make sure you edit the “AssumeFPS(29.97)” line in the script box to your appropriate frame rate by changing the frame per second value and choosing to do a “Save As…” for the updated script.
\r\n\r\n13. Once the script has been set, return to the Fathom Jobs bin and check the Enable box under “Trick Stream Settings.” Enter a number in the “Add Speed” value box and click the button once the desired value has been entered. The trick stream speed is now entered in the “Current Speeds:” field, and you can view other speeds that have been entered by scrolling through the values here.
\r\n
Join Key Code Media and Inlet Technologies to highlight one of the hottest topics today. The world of media is changing and the pace of change is quickening. Consumers no longer see the television as the only viewing screen. Scheduled programming is losing ground to Video on Demand. And consumers expect high quality for all media regardless of screen size: from mobile to to portable media players PCs to gaming consoles to televisions.
\r\n\r\nNew media formats are enabling these new screen experiences. Operators now must work with H.264, MPEG-4, Windows Media, VC-1, MPEG-2, AVI, and Flash quickly and easily. Managing all these different media formats can be an operational and quality control nightmare.
\r\n\r\nSpecifically, Inlet’s, Fathom® advanced encoding platform solves the problem of managing multiple output formats for different viewing devices. Fathom is a comprehensive encoding solution that allows you to:
\r\n\r\nSee it in action, a live demonstration of Fathom 3.0. All post production and broadcast professionals are encouraged to attend this informative presentation.
\r\n\r\nComplimentary event parking is available on Ivar Street next to the LA Film School.
\r\n\r\nSpace is limited. Please RSVP online or by email: rsvp@keycodemedia.com
For more information, call (818)303-3900
Enter to win a free trial of Semaphore QC software at the event! (courtesy of Inlet Technologies) Must be present to win.
\r\n\r\nSponsored by: Inlet Technologies
'),(347,3,'35',6,'VC-1 Codec Specification '),(348,2,'35',7,'VC-1 (Windows Media Video (WMV) 9 Advanced Profile) is a video codec specification implemented by Microsoft to define a standardized specification that is transport and container independent and supports both progressive and interlaced content. This allows content to be delivered \"over MPEG-2 and RTP systems as well as ASF, which enables device manufacturers and content services to create interoperable solutions. Windows Media Video 9 Advanced Profile implements these features, making it much easier to deliver Windows Media content over traditional broadcast and wireless infrastructures.\"
\r\n\r\nMicrosoft:
http://www.microsoft.com/windows/windowsmedia/forpros/events/NAB2005/VC-1.aspx
Before Microsoft implemented VC-1, the WMV3 profile was implemented to allow progressive encoding for computer displays. In WMV3, interlaced video content was always de-interlaced before encoding. The Windows Media Video 9 (WMV3) codec implements the Simple and Main modes of the VC-1 codec standard, providing high-quality video for streaming and downloading. \"It provides support for a wide range of bit rates, from high-definition content at one-half to one-third the bit rate of MPEG-2, to low-bit-rate Internet video delivered over a dial-up modem. This codec also supports professional-quality downloadable video with two-pass and variable bit rate (VBR) encoding. Windows Media Video 9 is already supported by a wide variety of players and devices.\"
\r\n\r\nMicrosoft:
www.microsoft.com/windows/windowsmedia/9series/codecs/video.aspx
The professional video market, however, needs to support progressive and interlaced content, as well as being transport independent. The VC-1 spec as implemented in the WMVA and WVC-1 profiles, provides this support. The VC-1 spec still utilizes the WMV3 codec.
also known as Windows Media Video 9 Advanced Profile, 37 \"implements the Advanced mode of the proposed VC-1 codec standard. It offers support for interlaced content and is transport independent. With the previous version of the Windows Media Video 9 Series codec, users could deliver progressive content at data rates as low as one-third that of the MPEG-2 codec and still get the same quality as MPEG-2. The Windows Media Video 9 Advanced Profile codec also offers this same improvement in encoding efficiency with interlaced content.\"
\r\n\r\nMicrosoft:
www.microsoft.com/windows/windowsmedia/9series/codecs/video.aspx
WMVA was the draft version of WVC1 during the acceptance of the VC-1 spec. There are slight bit stream mods between the WMVA and WVC1. WMVA is handled by a different DirectShow decoder than WVC1. Additionally, decoders for some 3rd party hardware and software companies (whether hardware Set Top Boxes, software STBs, etc) will only decode WMVA based content.
\r\n\r\nEarlier releases of Fathom and Semaphore only supported WMV3 and WMVA based content. With the Semaphore 1.5 and Fathom 2.5 releases, both products now support WMV3, WMVA and WVC1. The continued support for WMVA is because the decoder solution of some customers may not yet be WVC1 aware and will continue to encode with WMVA. From Inlet\'s perspective, Both applications support VC-1 Main Profile (WMV3), VC-1 Advanced Profile (WVC1) and VC-1 Advanced Profile (WMVA).
\r\n\r\nWould you like to reduce the drudgery of visual, frame-by-frame, manual checking? How about improving the quality of your encoded content? And approving more video in less time?
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David Spitz is a veteran entrepreneur who has founded, financed, and successfully exited multiple venture-backed technology companies. Mr. Spitz is currently worldwide VP of Product Management and Services for ChannelAdvisor Corporation, a multi-channel e-commerce company. Mr. Spitz is also Entrepreneur-in-Residence at The Aurora Funds, a Southeast venture capital firm with over $200 million under management. He has significant experience developing and commercializing new software technology in industries as diverse as media, wireless, and telecommunications. Mr. Spitz holds two U.S. patents.
\r\n'),(364,21,'38',11,'\r\nWRAL-TV,\r\nthe first television station in the nation to broadcast a\r\nhigh-definition signal, is a recognized leader in high-definition\r\ntechnology. As Chief Engineer, Mr. Sockett administers and directs the\r\nstation\'s technical operations to ensure efficient, continuous on-air\r\noperation. Prior to joining WRAL, Mr. Sockett was the Director of\r\nOperations and Broadcast Engineering for WBBM-TV in Chicago.
'),(365,21,'38',9,'\r\n \r\nJames\r\nF. Goodmon Jr. recently assumed responsibility for the CBC New Media\r\nGroup at Capitol Broadcasting Company. Starting as a camera operator\r\nfor the 5AM News at 16 years old, his career path has spanned a\r\nmultitude of television station functions, from promotions,\r\nprogramming, and operations to selling radio and television spots. In\r\nhis recent assignment he oversees the development of vision and\r\nstrategy for the non-traditional media business opportunities that have\r\nemerged. Goodmon and his New Media team overlook WRAL.com, WRAL\r\nNewsChannel, WRAL Weather Channel, and News Over Wireless, a local news\r\nto mobile phones application. Before New Media, Mr. Goodmon served as\r\nDirector of Programming for WRAL-TV/DT.
\r\n \r\n
Video Media Solutions
222 Raymond St.
Reading, PA 19605
(610) 921-5710
Contact: Darryl Spangler
Microsoft® Silverlight™ is a cross-browser, cross-platform plug-in for delivering the next generation of .NET based media experiences and rich interactive applications for the Web. Silverlight supports fast, cost-effective delivery of high-quality video to all major browsers running on the Mac OS or Windows. Inlet fully supports Silverlight encoding, transcoding and quality control.
'),(434,8,'9',4,'In